Directing
Stage Directors & Choreographers Society  
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Selected Credits: New York & International Two-Page Directing Resume PDF  
  Selected Credits: Regional
Curriculum Vitae PDF  
  Acting     email David  
  Playwrighting        
           
     
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Full Production Credits: Training Programs  
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Measure for Measure

William Shakespeare

Marywood University, 2015

 
 

Crimes of the Heart

Beth Henley

Marywood University, 2013

 

Hay Fever

Hay Fever

Noel Coward

Indiana University of Pennsylvania, 2012

 

Buddy Truffle (premiere)

David Zarko, Tartuffe as a screwball comedy

Marywood University, 2011

 

 

I due notai fedeli (devised)

from I Gelosi, developed in rehearsal

In Bocca al Lupo, Orvieto & Acquapendente, 2009

 

 

La postina (devised)

from I Gelosi, developed in rehearsal

In Bocca al Lupo, Orvieto, Italy, 2006

 

 

Our Town

Thornton Wilder

Post Theater Company, Long Island University 2002

 

 

Joking Apart

Alan Ayckbourn

The American Academy of Dramatic Arts, 2001

 

 

The Wayside Motor Inn

A. R. Gurney

The American Academy of Dramatic Arts, 2000

 

 

The Gut Girls

Sarah Daniels

The American Academy of Dramatic Arts, 2000

 

 

subUrbia

Eric Bogosian

The American Academy of Dramatic Arts, 1999

 

 

The Heidi Chronicles

Wendy Wasserstein

The American Academy of Dramatic Arts, 1999

 

 

L'uomo date per morto

from I Gelosi, developed in rehearsal

In Bocca al Lupo, Roccalvecce, Italy, 1998

 

 

Waiting for the Parade

John Murrell

The American Academy of Dramatic Arts, 1998

 

 

The Tempest

William Shakespeare

Post Theater Company, Long Island University 1998

 

 

Come Back to the Five and Dime, Jimmy Dean...

Ed Graczyk

The American Academy of Dramatic Arts, 1997

 

 

Triumph of Love

Marivaux

The American Academy of Dramatic Arts, 1997

 

 

A Palm Tree in a Rose Garden

Meade Roberts

The American Academy of Dramatic Arts, 1997

 

 

Female Transport

Steve Gooch

The American Academy of Dramatic Arts, 1997

 

 

Hotel Universe

Philip Barry

The American Academy of Dramatic Arts, 1996

 

 

The Dentist (deivsed)

from I Gelosi, developed in rehearsal

Post Theater Company, Long Island University 1996

 

 

Every Year at Carnival

(forgot, can't find)

The American Academy of Dramatic Arts, 1996

 

 

Hell Road Earth (premiere)

Georg Kaiser, translated by Joe Dubenas

Post Theater Company, Long Island University 1996

 

 

Into the Woods

Stephen Sondheim

Post Theater Company, Long Island University 1994

 

The Husband (partly devised musical)

David Zarko, Michael Paris, and the Cast

Post Theater Company, Long Island University 1993

 

 

Uncommon Women and Others

Wendy Wasserstein

Post Theater Company, Long Island University 1992

 

 

The House of Blue Leaves

John Guare

Post Theater Company, Long Island University 1991

 

 

The Pregnant Pause

George Feydeau

Gately/Poole Conservatory, 1991

 

 

Laundry and Bourbon

James MacLure

Tisch School of the Arts, Graduate Acting, 1987

 

 

The Other Son

Luigi Pirandello

Drama Studio, London, at Berkeley, 1980

 
 
             
  Judith & the Kids
   
  Judith & Sandy

One of the most difficult scripts I've ever directed, this cast succeeded with it beyond my wildest dreams.

There were no reviews.

  Simon & Myra
               
   
    For the past several years, the academic year at Marywood University has begun with a week-long workshop in commedia dell'arte taught by Zuppa del Giorno. In 2011, I was asked to direct the Fall show -- and to choose it -- but had only about a week to come up with a title. I'd been working on Buddy Truffle all summer and as it had a stylistic link to commedia, I suggested it and it was approved. The cast was terrific; absorbing and inspiring changes to the script in rehearsal. I've since undertaken extensive rewrites. Check the "Playwrighting" section for a sample.  
               

 

In the spring of 1993, Post Theater Company (the production arm of Long Island University C.W. Post's training program) asked me to direct The Mandrake for the fall. I read the translations available at the time and liked none of them. So, I started working on one myself. I got well into it before I began to doubt the wisdom of doing the show at all. The department wanted students to have an experience of commedia, and commedia from a script just didn't seem right to me. So, I proposed we take The Husband, one of the I Gelosi scenarios, and develop it in rehearsal.

In general, students were terrified of the idea. There were batch auditions for my show and Noises Off, and I ended up with those actors who didn't get into Noises Off. First rehearsal I gave them the scenario and told them to do a run thru. I'm sure the word around the department was that a madman was at large, and to count your blessings that you got into Noises Off.

  But the cast kept at it. And they learned. And they created a charismatic and infectiously funny show. Michael Paris wrote some lovely music for it, including an opera to open the second act. The Husband ended up being the first show from Post in almost 25 years to be invited to ACTF Region II festival. And when it performed, almost 200 people joined the cast on stage for the post curtain call bunny hop.
  There were no reviews.